After the first several numbers, the ratio between any two numbers in the sequence is 1.618 (i.e., the second number is 1.618 times greater than the previous number). The book mentions Leonardo Fibonacci di Pisa, a thirteenth-century mathematician who discovered a series of numbers with a very curious quality.įibonacci’s sequence begins with zero, then one, then each subsequent number is the sum of the two previous numbers (0, 1, 1, 2, 3, 5, 8, 13, etc.). We would have to deal with omissions, with innuendos, with references that were, at best, oblique. …In order to find them, we realized, we would be obliged to read between lines, fill in certain gaps, account for certain caesuras and ellipses. We sought only to winnow through - to locate certain fragments of possible or probable truth… fragments that might attest to a marriage between Jesus and the woman known as the Magdalen. Michael Baigent, Richard Leigh and Henry Lincoln make this startling admission concerning their own research: However, one need only delve (and not even very deeply) into the “historical” basis for this tradition to be convinced that it is, indeed, fiction. This theory is hardly new to Dan Brown any serious student of ecclesiastical history will be familiar with this ancient (albeit aberrant) tradition, which has long been held as heresy by Catholics and Protestants alike. After Jesus’ death, Mary then supposedly fled with their child and became, over time, a symbol of the “sacred feminine” of ancient paganism. The great draw to this otherwise unremarkable novel is its central conspiracy theory, which, very simply put, sees Jesus married to Mary Magdalene. And yet, The Da Vinci Code has become a worldwide sensation. It is passably entertaining as “popular” fiction, but hardly the type of novel that would stand the test of time to become a classic. Also, the novel’s plot twists are predictable at best, and the writing, although occasionally quite good, is unmemorable. Its protagonist, Harvard cryptologist Robert Langdon, is a fairly passive character with little complexity. Although Dan Brown would have us believe that “all descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate,” The Da Vinci Code is a work of fiction, complete with good guys, bad guys and narrow escapes.
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